Dear England at the National Theatre
James Graham’s Dear England returns to the National Theatre, poised to captivate audiences once again with its potent blend of sport, drama and national soul-searching. Following its 2023 debut—which sold…
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James Graham’s Dear England returns to the National Theatre, poised to captivate audiences once again with its potent blend of sport, drama and national soul-searching. Following its 2023 debut—which sold…
In a world where technological breakthroughs edge humanity closer to defying death, More Life offers a chillingly profound vision of the future. Written by Lauren Mooney and James Yeatman, this…
In his programme to the current production of Look Back in Anger at the Almeida Theatre lecturer and author Matthew Franks refers to the danger of producing Look Back in…
Petra Shepherd reviews the classic musical Guys and Dolls which runs at the Bridge Theatre until 4 January 2025. Set in 1950s Broadway, Guys and Dolls is an old classic…
Read about Adrian Lester’s performance in Mark Bibby Jackson’s Echo review at the Royal Court Theatre, a challenging and rewarding play. Echo Review There are times you feel you are…
Arnold Wesker’s Roots, directed by Diyan Zora, will run at the Almeida Theatre from 1 October to 23 November. It forms part of the Angry and Young season alongside Look…
The Almeida Theatre will stage John Osborne’s Look Back in Anger this Autumn. Directed by Atri Banerjee, the play is part of the theatre’s Angry and Young season along with…
The Royal Court Theatre presents ECHO by Nassim Soleimanpour in July at its Jerwood Theatre Downstairs. ECHO ECHO stands for Every Cold-Hearted Oxygen, but apart from that little is know…
Eline Arbo’s The Years will run at The Almeida Theatre from 27 July to 31 August. This is the UK premier of of Eline Arbo’s De jaren adapted from Nobel Prize winner…
People, Places and Things starring Denise Gough runs at the Trafalgar Theatre in London from 3 May to 10 August. Duncan Macmillan’s play is directed by Jeremy Herrin. The original…
Judith Schrut reviews the National Theatre’s Dear Octopus, Dodie Smith’s acclaimed but rarely performed 1938 play. Does the name Dodie Smith (1896-1990) ring any literary bells for you? If no…
On a cultural trip to London, Mark Bibby Jackson stays at the nhow London while catching Othello at the Sam Wanamaker Playhouse and Entangled Pasts at the Royal Academy. Having…
William Shakespeare’s tragedy about age and betrayal comes to the Almeida Theatre from 8 February to 30 March. King Lear will be directed by Yaël Farber, and stars Danny Sapani…
Othello, at The Globe‘s Sam Wanamaker Playhouse in an intimate candle lit ambience that befits Shakespeare’s tempestuous play, is directed by Ola Ince and stars Ken Nosu. It runs from…
Mark Bibby Jackson reviews The Motive and the Cue at the Noel Coward Theatre. Motive and the Cue is a play about contrast. Jack Thorne’s play directed by Sam Mendes…
Isabelle Huppert returns to the Barbican Theatre for the UK premier of Robert Wilson’s Mary Said What She Said for a limited run in May 2024. A Théâtre de la Ville’s production…
Ghosts will be the first performance of an Ibsen play at the Globe Theatre’s Sam Wanamaker Playhouse in its 10-year history. Director Joe Hill-Gibbins breathes new life into the 150-year-old…
Macbeth sees Director Abigail Graham’s directorial debut at the Globe theatre following her 2022 interpretation of Merchant of Venice at the Sam Wanamaker Playhouse in 2022. Macbeth Plot If you…
Ellen McDougall’s interpretation of Shakespeare’s classic comedy As You Like It runs at the Globe Theatre until 29 October. This performance, which stars Isabel Adomakoh Young as Orlando…
At the interval of Portia Coughlan now showing at Almeida Theatre, I find myself wondering where the play will go. To my great satisfaction I discover that it develops into…
Cold War is a beautiful love story. Echoes of Dr Zhivago and Romeo and Juliet permeate throughout this wonderful performance directed by Rupert Goold based on the book by Conor…
Mark Bibby Jackson reviews A Mirror by Sam Holcroft at the Almeida Theatre. I must admit to having something of a pathological aversion to weddings. So, when I am invited…
Mark Bibby Jackson reviews a challenging performance of A Midsummer’s Night Dream at the Globe Theatre which manages to stay true to its roots. Of all Shakespeare’s plays, A Midsummer…
Mark Bibby Jackson reviews Drive Your Plow Over the Bones of the Dead at the Barbican Theatre part of its UK and Europe tour. Somehow I have never seen a…