Blenheim Palace Year of Restoration Tours

 

Unesco World Heritage Site, Blenheim Palace Oxfordshire, is launching a Year of Restoration beginning with Restoration & Conservation Tours allowing visitors to see behind the scenes of the epic deep-clean of the historic State Rooms. 

The ‘Restoration & Conservation’ tour will be exclusively available from 10 January to 9 February, 2020, running twice per day excluding Sundays. The tours will tie in to the annual deep clean of Blenheim Palace which will now be on full to visitors during this period.

Kate Ballenger, Head of House & Collections at Blenheim Palace, “Each year, when the Palace is usually closed, the Operations team, accompanied by various specialists, complete the ‘deep clean’. This process is much more than just cleaning, it is the careful review of the entire collection followed by a thorough cleaning programme alongside the ongoing conservation and restoration work. This tour of the Palace gives insights into both the deep clean and the conservation and restoration that is happening at present and has happened in the past.”

Christine Dittmers cleans the chandelier in the 3rd state room in Blenheim Palace. Photographer : Mark Hemsworth

Shedding light on two very important aspects of running a 300 year old Palace, including restoring a piece of art, building or tapestry to its original condition, visitors will learn about preservation and repair of the historical and cultural site and its artefacts. The tour will also examine the theme of renovation, exploring how Blenheim Palace must also modernise and remain as a comfortable family home and appealing to visitors.

The fascinating tour will also look at the most impactful projects including The Eyes in 1928. Painted for the 2nd wife of the 9th Duke, Gladys Deacon, these have a great visual impact on visitors. Exposure to the elements over 80 years had caused the painting and plaster work to degrade to a point where they were barely visible. From clocks to paintings each piece of work often requires specialist and niche attention, with specialists sought from all over the world to complete the painstaking tasks of restoring priceless pieces of history.

The job of cleaning the China collection used to fall to the 10th Duchess and her unfortunate administrator, Archie Illingworth – he used to dread the call, ‘Mr Illingworth, today we are going to clean the China!’  The Duchess would wash the China and it was Archie’s responsibility to dry it.

One of the recent renovations is the Bouchain Tapestry, the priceless 18th century tapestry depicting one of Britain’s most important military victories is 25ft wide and almost 15 feet high. The giant wall hanging is made of wool and silk and was woven in the Brussels workshop of the Flemish weaver, Judocus de Vos.

Part of a set of 10, the tapestries are the most accurate and detailed contemporary records that exist of the campaign, not least because the 1st Duke, John Churchill, provided accurate battle plans and portraits of the principal characters. After being painstakingly removed from the walls of the Palace’s Second State Room, the tapestry was carefully rolled up before being transported back to the city it was originally created in for renovation. It took a year to completely renovate.


What: Restoration & Conservation Tours at Blenheim Palace

When: 10 January – 9 February, 2020 running twice per day excluding Sundays

Why Visit: Discover the intricate processes of historical restoration and modern conservation whilst maintaining the heritage of the Oxfordshire World Heritage Site.

Price: Palace, Park & Garden ticket: Adult £28.50, Concession £27.00, Child £16.50, Annual Pass Holders FREE

Website: blenheimpalace.com

Mark Bibby Jackson

Mark Bibby Jackson

Before setting up Travel Begins at 40, Mark was the publisher of AsiaLIFE Cambodia and a freelance travel writer. When he is not packing and unpacking his travelling bag, Mark writes novels, including To Cook A Spider and Peppered Justice. He loves walking, eating, tasting beer, isolation and arthouse movies, as well as talking to strangers on planes, buses and trains whenever possible. Most at home when not at home. Mark is a member and director of communications of the British Guild of Travel Writers (BGTW).

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